An actor's job is to go through all the emotions a character is experiencing and portray the relevant ones for us. It can also mean the door to the family getting back together is still open from his side. It can also mean that the Kiron may have closed the door on the matter, but he hasn't. Yet he is hopeful Kiron will forgive him and accept both of them in due course. It can signify that he knows the matter is closed for discussion and nothing can be done about it, at least for now. He just pulls it slowly, the door closes behind him but the latch doesn't click. While leaving the house he doesn't slam the door shut. She is not willing to accept SRK and Naseeruddin can't abandon him. There is a scene in the movie Main Hoon Na where Naseeruddin Shah's character fails to convince Kiron Kher's character to accept him and the young SRK. That's why we leave it to the professionals. I agree with you if you're thinking it's easier to review a movie than make one. Dear Zindagi is one such demanding story. If a movie is made on a demanding story, it should be made with utmost honesty and dedication. 3 points just for doing that and making an attempt. Very few movies dare to tell a story tackling mental health. Dear Zindagi could've been an interesting movie and a story worth telling.
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